Belgian director Robin Pront is preparing a new film that shines a light on a remarkable chapter of Belgian resistance during World War II. The movie, titled Le faux Soir, tells the story of a daring 1943 stunt where resistance fighters hijacked a Nazi-controlled newspaper in Brussels to mock the occupiers. This unique tale has captured local and international interest as filming is set to begin in Belgium this September.
- Roskam onderzoekt heldenverhalen van Belgische verzetslui
- Film 'Le faux Soir' toont verzetskrant 1943
- Matthias Schoenaerts en Bouli Lanners acteren mee
- Film is Belgisch-Franse coproductie met Franse acteurs
- Voertaal Frans met Vlaams-Brusselse accenten
- Opnames starten in september, grotendeels in België
On 2025-05-08 04:24:00, Pront visited the Fort van Breendonk, a site that honors Belgian resistance heroes, underscoring his deep respect for those who fought against oppression. With a cast featuring notable Belgian actors like Matthias Schoenaerts and Bouli Lanners alongside French talent, the film promises to resonate beyond Belgium’s borders.
How will this film contribute to Belgium’s cultural memory? And what makes this story so compelling today? The answers lie in the upcoming production and its powerful narrative.
Why is this story significant now? The film revives a lesser-known but inspiring moment of defiance against Nazi occupation, reminding Belgians of their resilient heritage. Key points include:
- A focus on Belgian resistance heroes, both men and women, whose stories deserve recognition.
- A Belgian-French cast emphasizing cross-border collaboration.
- The use of French and Flemish Brussels dialects to reflect authentic Belgian culture.
- Filming locations in Belgium to root the story in its historical context.
As filming approaches, Belgian audiences can look forward to a powerful cinematic tribute to their wartime heroes. Will this film inspire a new wave of interest in Belgium’s resistance history? Stay tuned for its release and the stories it will bring back to life.
