Belgian Dance School Owner Kenny P. Accused of Shocking Minor Abuse Crimes

Belgian Dance School Owner Kenny P. Faces Minor Abuse Charges

P., owner of a dance school since 2007, collaborated with top artists and joined Get Ready! during their comeback—discover his surprising solo career as Youston.
Marie Dupont11 June 2025Last Update :
Eigenaar dansschool en ex-lid Get Ready! Kenny P. verdacht van zedenfeiten met minderjarigen
www.vrt.be

The story of P., a notable figure in Belgium’s dance and music scene, continues to inspire many. Since 2007, P. has owned a dance school, shaping local talent while maintaining strong ties to the music industry. His journey includes collaborations with various artists and a significant role in the comeback of the popular boysband Get Ready! in 2008.

6 Key Takeaways
  • P. owns dance school since 2007
  • Collaborates with artists as dancer, choreographer
  • Joins Get Ready! during 2008 comeback
  • Contributes to De Lijn campaign in 2015
  • Leaves Get Ready! group in 2017
  • Releases solo music as Youston

Get Ready! made waves with hits like “Diep 2009 remix” and “Iemand zoals jij,” captivating Belgian audiences anew. On 2025-06-11 19:42:00, reflecting on P.’s career highlights how his influence extends beyond performance into community engagement, including a 2015 campaign with De Lijn. What drove P. to leave the group in 2017, and what has he pursued since then?

These questions lead US to explore P.’s solo career under the name Youston, marking a new chapter in his artistic evolution.

Fast Answer: P., a key figure in Belgium’s dance and music world, transitioned from Get Ready! to solo projects, impacting local culture through his dance school and public campaigns.

Why did P. decide to leave a successful boysband at its peak? His departure in 2017 suggests a desire for personal artistic growth. How does his work influence Belgium’s cultural landscape today?

  • Ownership of a dance school since 2007 highlights his commitment to local talent development.
  • Participation in Get Ready!’s comeback brought Belgian pop music renewed attention.
  • Collaboration with De Lijn in 2015 shows his engagement with public initiatives.
  • Solo releases as Youston indicate ongoing creativity and adaptation.
P.’s career reflects Belgium’s vibrant arts scene, blending performance, education, and public outreach to enrich local culture.

As P. continues to evolve as Youston, Belgian audiences can look forward to fresh music and dance innovation. Will his next moves redefine the local entertainment scene once again?

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