Belgium’s Lost Masterpiece..Scandalous ‘De Kindervrienden’ Reemerges After 50 Years

Belgium’s Lost Masterpiece De Kindervrienden Returns After 50 Years

The provocative painting ‘De kindervrienden’ by Dees De Bruyne, missing since 1974, resurfaced after decades hidden in a woman’s attic.
Marie Dupont14 May 2025Last Update :
Het was even spoorloos als ‘De rechtvaardige rechters’, maar na halve eeuw duikt schandaalschilderij ‘De kindervrienden’ toch weer op (Opmerkelijk)
www.nieuwsblad.be

The rediscovery of the painting ‘De kindervrienden’ by Flemish provocative artist Dees De Bruyne has captured attention across Belgium. Missing since 1974, this controversial artwork resurfaced unexpectedly after decades, stirring fresh interest in its bold message. The News broke on 2025-05-13 23:45:00, revealing that the painting had been stored for years in a private attic.

6 Key Takeaways
  • Vlaamse schilder Dees De Bruyne's werk opgedoken
  • ‘De kindervrienden’ schilderij uit 1972 gevonden
  • Controversieel werk toont machthebbers met kinderen
  • Museum Mudel krijgt schilderij in bruikleen
  • Nieuwe tentoonstelling gepland voor september 2024
  • Zoeker Walter Ertvelt vond het werk dankzij tip

De Bruyne created ‘De kindervrienden’ in 1972 as a powerful protest against child abuse, depicting figures like Pope Paul VI and US President Richard Nixon alongside naked children at a lavishly set table. The painting sparked outrage during a 1974 exhibition in Ghent before vanishing without trace. Now, with the painting back in public view, many are asking: what does this mean for Belgium’s art heritage and social awareness?

As the Museum Mudel in Deinze prepares to showcase the painting this September, the story behind its disappearance and recovery invites reflection on the role of art in confronting difficult truths. Could this rediscovery inspire renewed dialogue on child protection and accountability? The following fast answer highlights the key local impact.

Fast Answer: ‘De kindervrienden’ by Dees De Bruyne, lost since 1974, was found in a Belgian attic and is now on loan to Museum Mudel, promising a significant exhibition in Deinze this September 2025.

Why did this painting disappear for so long, and what does its return signify? The artwork’s provocative nature challenged powerful figures, which may explain its mysterious vanishing. Its recovery opens doors for:

  • Renewed public engagement with Belgium’s provocative art history
  • Critical conversations about past abuses and institutional accountability
  • Strengthening cultural tourism in the Deinze and Ghent regions
This rediscovery resonates strongly in Belgium, highlighting the country’s ongoing commitment to confronting social issues through art and preserving cultural heritage.

Looking ahead, the upcoming exhibition at Museum Mudel offers a unique opportunity to explore the intersection of art, history, and social justice. Will this find encourage more lost works to resurface and deepen Belgium’s cultural dialogue? Visitors and locals alike should stay tuned for this thought-provoking showcase.

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